Wednesday 31 December 2014

Contextual Studies notes16/10/14

Ideology – Re – Imaging the Everyday.

Image: Map – The Mercutor Projection – an image of the earth used for navigation. This shows a particular view of the world however its not the only view that helps us understand that this is what the earth looks like.









Image : The Peters Projection – to show areas of landmass. It represents how we think about the scale of countries.

nformation + Values = Ideology


Maps are never value – free images… Both in the selectivity of their content and in their signs and styles of representation, maps are a way of conceiving, articulating and structuring the human world, which is biased towards, promoted by, and exerts influence upon sets of social relations. By accepting such premises it becomes easier to see how appropriate they are to manipulation by the powerful in society”
J.B. Harley –‘Maps Knowledge and power’. The iconography of landscape’


Image: McArthur’s Universal Corrective map of the world – Australia is central in the map as its creator was Australian.


  • Images of the world oftentimes seeming quite straightforward, conventional and natural, usually embody or promote a set of values – that sometimes go unnoticed.


  • An Ideological analysis aims to identify what these unnoticed values are.


  • Image: Black and white photo of a woman’s back and a woman lying on a bed. “These awe inspiring, beautiful photographs of women are extremely oppressive. They fit the old traditions of women as possession and woman as giver and sacrifice.. In this aesthetically veiled form of misogyny, the artist expects his wife to take of her clothing, then he photographs her naked (politely known as nude), and after showing everybody the resulting pictures he gets famous… The subtle practice of capturing, exposing and exhibiting one’s wife is praised as sensitive”. Diane Neumaier on Harry Callahan.




Capital ideology.


  • Image: The Show the Apprentice –


  • Capitalism doesn’t necessarily reflect the full range of human values, but at the same time tend to reduce all values to profit, efficiency and control.


  • Competition - as the key to success / Life as a continual competition: survival of the fittest.


  • The perception of a certain body image as successful.


  • Dominant Ideology – Film poster, ‘War of the Worlds’ starring Tom Cruise.


  • Film Clip: War of the Worlds - “The ideology of (post 9/11) America – The invaders are a wake up call to face fears as we confront a force intent on destroying our way of life: Steven Spielberg.


  • The ideology construction of subject can ‘free individuals’, free to exchange their labour, is important to capitalist modes of production” Louis Althusser.


  • Image: TV – Harmless entertainment / ‘Friends’ – Lulling mass audience into passive inaction.


  • Image : TV – ‘Shameless’ – Channel 4


  • Ideology of class – programmes made on representation of real life made to possible show us ‘how not to live’


  • Image: ‘The Thinker’ – sculpture. As Individuals, we experience ourselves as possessing a consciousness which enables us to freely form our own ideas.


  • Ideology - ‘The Subject’ – Louis Althusser – but this experience is an imaginary + Ideological one, based on misrecognition or misperception – (From Ideology + the Ideological state.)


  • Image: Film – Fight Club – “We buy things we don’t need, with money we don’t have to impress people we don’t like”.


  • The Self as Construct: The self is constructed within the context of ‘mass culture’ (and subculture) being run by corporations and media.


  • There is a corporate – led basis to identity formation.


  • The ever – present aspect of Western free market countries ideology is consumerism.


  • We are recipients of entertainment, shopping for a self” (Lyon,2000).




On the other Hand:


  • Consumption is the very arena in which culture is fought over and liked into shape.. To manage without rituals [of consumption] is to manage without clear meanings and possibly without meanings”. Mary Douglas, ‘The World of Goods’



Image: Barbara Gruger -





Image: V for Vendetta – Blowing up the house of parliament.


Tuesday 30 December 2014

Contextual Studies Notes 13/11/2014


Contextual Studies Lecture / Psychoanalysis


  • Psychoanalysis can be interpreted as a ‘talking therapy’, revealing deeper meanings or hidden motivations within our behaviour.


  • Psychoanalysis can be used as a tool, which the arts can be analysed.



  • The arts express the patterns and problems of the psyche. We can understand the psyche and even society through (psycho) analysing the arts. 


Sigmund Freud – 1856 – 1939

  • Freud was an Austrian neurologist and the founder of psychoanalysis, who created an entirely new approach to the understanding of the human personality. He is regarded as one of the most influential - and controversial - minds of the 20th century
A man with his head in the sand – This image is used to denote the term of ‘The Unconscious’.

  • The Unconscious can be seen as our buried thoughts. /

  • Traumatic experience, Repression. The return of the repressed – pathogenic patterns.

  • Sublimation – is the transformation of unwanted impulses into something less harmful. This can simply be a distracting release or may be a constructive and valuable piece of work. When we are faced with the dissonance of uncomfortable thoughts, we create psychic energy.


  •  Spellbound directed by A. Hitchcock. Describing how our dreams are a safe outlet for trauma / instinct. They can provide access to the ‘Unconscious’. Full of symbolic narrative.
  • The arts are also a symbolic narrative.The Production of Fantasy – Robert C Allen – Channels of disclosure, Reassembled – “When we watch a film it is as if we were somehow dreaming”.
  • The cinema situation reproduces the hallucinatiory power of a dream – it turns perception into something that looks like a hallucination”.
  • "Psychoanalysis, as a theory of human psychology, decribes the ways in which the small human being comes to develop a specific personality and sexual identity within the larger network of social relations called culture. It takes as its object the mechanisms of the unconscious---- resistance, repression, sexuality, and the Oedipus complex--- and seeks to analyze the fundamental structures of desire that underlie all human activity."
  • Regression – Within animation we area confronted with a visual language that is free to explore our child like experiences. This is animation for adults as well as children. We regress to our childhood experiences.
  • Clip: The Simpsons – Shock Therapy.
  • In this clip of the Simpsons, the act is less shocking due to it being an animation, if this act was to be carried out in another medium, such as film it would be horrific to watch.


  • Schadenfreude is pleasure derived from the misfortunes of others. This word is taken from German and literally means 'harm-joy.' It is the feeling of joy or pleasure when one sees another fail or suffer misfortune. 
  • According to this model of the psyche, the id is the set of uncoordinated instinctual trends;

  • The super-ego plays the critical and moralizing role; and

  • The ego is the organised, realistic part that mediates between the desires of the id and the super-ego. The super-ego can stop one from doing certain things that one's id may want to do.

  • Eg. The Father – the Judge – law
  • The Mother – the Jury – morality
  • The Child – the deviant – amorality


  • The Oedipus Complex: The Oedipal complex is a term used by Sigmund Freud in his theory of psychosexual stages of development to describe a boy's feelings of desire for his mother and jealously and anger towards his father. Essentially, a boy feels like he is in competition with his father for possession of his mother. He views his father as a rival for her attentions and affections.

Sunday 7 December 2014

Director's Brief Part 1 (My Chosen Director)

Intro:
The Director, the most important job when it comes to makes any specific art form of media such as; Film, Television, and some aspects of Theatre.
























The the media of film, I have many directors that I admire not only for their work but in the way that they present their work by showing whats known as a voice. A term used to describe the Director's work to show his or her certain style and uniqueness to the film industry.

My Chosen Director:

Peter Jackson






What other work has this Director done?

  • The Hobbit: The Battle of the Five Armies 2014
  • The Hobbit: The Desolation of Smaug 2013
  • The Hobbit: An Unexpected Journey 2012
  • King Kong 360 3-D (Short) 2010
  • The Lovely Bones 2009
  • Crossing the Line (Short) 2008/I
  • King Kong 2005
  • The Lost Spider Pit Sequence (Video short) 2005
  • The Lord of the Rings: The Return of the King 2003
  • The Lord of the Rings: The Two Towers 2002
  • The Lord of the Rings: The Fellowship of the Ring 2001
  • The Making of 'The Frighteners' (Video documentary) 1998
  • The Frighteners 1996
  • Forgotten Silver (TV Movie) 1995
  • Heavenly Creatures 1994
  • Dead Alive 1992
  • Meet the Feebles 1989
  • Bad Taste 1987
  • The Valley (Short) 1976

List of key stylistic and narrative aspects to the Director's work:

  • Background establishing shots (mostly to show where the movie takes place and where it's leading to)
  • A sneaky cameo or two (like Stan Lee in the Marvel Films where he usually makes a cameo in some part of the film, Peter Jackson does the same in a few of his.
E.G

The Frighteners (1996) - He makes a cameo dressed up like a punkish tough guy and calls Michel J Fox an asshole.

















The Fellowship of The Ring (2001) - Like at the beginning of (The Hobbit - The Desolation of Smaug) he plays a hooded man with a carrot, he did the same in The Fellowship.















The Two Towers (2002) - Peter plays a warrior throwing a spear.
















Return of The King (2003) - He plays one of the evil men being shot with one of Legolas's arrows.

















  • A dark edge - in his past work Peter Jackson had a love for the horror genre for it's goriness and one of his first films he directed was a film called Bad Taste (1987). But the way he twists that genre and makes it his own is how he uses everyday items and turns them into film props and effects to bring life into his films.


















E.G - In this shot below, (Return of The King) Aragon is facing a giant Troll in CGI but in one shot the troll is CGI but when it came to the moment when the Troll steps on him, there is a hand made foot in the next shot where Aragon stabs it. For some film makers including Mr Jackson, that is a cleaver and great way to save on a movies budget as CGI was quite expensive.


















  • Mostly CGI - Andy Circus helped Peter though most of his projects, especially when it came to The Lord of The Ring Trilogy. Andy played the character Gollum in the films and because of the motion capture with a dash of CGI,  the film one best virtual performance in 2003 at the MTV Movie Awards. Andy Circus then appeared in Peter's later work as King Kong in 2005.




















  • Peter Jacksons Cinematographer - Andrew Lesnie







Andrew Lesnie was Peter Jackson Cinematographer in all three Lord of The Rings films. His cinematography to me was very background worshiping as it mostly consisted of the main characters traveling amongst beautiful backgrounds, here are a few examples for what I think shows some of the best out of Peter's films:











  • His attention to detail - costumes and designs
Middle Earth for Lord of The Rings










The Frighteners - with dead people as spirits being all bashed up a covers with blood as to represent how they died.








King Kong - The costumes and setting is to represent the year (1933) the same year that the original King Kong came out.





King Kong (2005)




King Kong (1933)




Why I chose this Director:
Not only for the fact that he has Directed one of my favourite trilogies (The Lord of The Rings) but also the way he is so detected to his work and everyone on set always have a good time working with him. He takes the background of any location and uses it to his advantage to make any shot look the best it can truly be, which in some ways got me inspired to check out other locations in my area to do more films in a more creative way.
What I also admire about him is that even though he likes trying CGI shots for some of his big budget movies, he also likes to take, how he clams to be, the old school routine by using simple methods of film making and turning them into a fantastic piece of work. Return of The King, King Kong and The Hobbit have over 2000 CGI shots but The Fellowship of The Ring only had 550 so most of The Fellowship's creativity was throughout mostly the stunts, costumes, props, as well as standard effects.





But mostly I love the way Peter represents things in his films like for instance, Lord of The Rings sort of because an advertisement itself by showing lots of New Zealand where the film takes place making people from all over the world wanting to go a see the country for themselves.

This became a popular joke in the hit HBO series The Flight of The Concords made in 2007 based on the band itself. In a few episodes they show in an office posters of New Zealand and in one take it show the poster advertising… "New Zealand, It's Like Lord of The Rings".






All in all I think Peter Jackson is a fantastic director and his films have always made a mark in my heart that are here to stay, Lord of The Rings brought my family together and closer than ever before and is still the family favourite to this day. It made my sister to take an adventure all around New Zealand and is still her favourite holiday.

One day I to want to venture forth into the great Middle Earth that is New Zealand, and I some want to create work just like his, and to be just like him.











Tuesday 2 December 2014

Directing Workshop 02/12/14

Our first practice of being a Director the most important person within a filming project.